CORDEDRAGO promotes PREMIO BONPORTI 

because it cares a lot about the historicity of the musical approach

The PREMIO BONPORTI COMPETITION 2022 is for ensembles!
There is an optional Historical Composition Competition

 

Sebastian VirdungMusica Getutscht, Strasbourg 1511

Vincenzo CapirolaCompositione di meser Vincenzo Capirola gentil homo Bresano, Brescia 1517 (manoscritto)

Robert DowlandVarietie of Lute-Lessons [...], London 1610

Marin MersenneHarmonie universelle [...], vol.IV, Paris 1636

John PlayfordAn Introduction to the Skill of Music [...]. The fourth edition much enlarged, London 1664

Thomas MaceMusick's Monument [...], London 1676, cap. VI, pp.65-67

Diderot - D'AlembertEncyclopedie, ou Dictionnaire raisonné des sciences, des arts et des métiers [...], vol.II, Paris 1751, pp.388-389

Giordano RiccatiDelle corde ovvero fibre elastiche, Bologna, 1767

Francesco GriseliniDizionario delle arti e mestieri, vol.V, Venezia 1769, s.v. "Cordajuolo di corde di budella", pp.124-133 e tav.XIII

Francois de LalandeVoyage en Italie [...] fait dans les années 1765 et 1766, 2.a ed., vol.IX, Paris 1786, pp.514-519

Francesco GaleazziElementi teorico-pratici di musica con un saggio sopra l'arte di suonare il violino [...], Roma 1791, pp.71-74

Antoine-Germain Labarraque,  Nuovo dizionario universale tecnologico di arti e mestieri e della economia industriale e commerciale, vol.VIII, Venezia 1823, s.v. "Minugiaio" del paragrafo "Corde musicali", pp.373-376

Luois SpohrViolinschule [...], Wien 1832, pp.13-14

Philippe Savaresse in Dictionnaire des arts et manufactures [...], 3.a ed., vol.I, Paris 1865, s.v. "Cordes"

Philip SkipponAn account of a Journey Made thro'Part of the Low-Countries, Germany, Italy and France, in A Collection of Voyages and Travels [...], 3.a ed., vol.VI, London 1741, pp.545-546 (fine dicembre 1663: "Making of viol strings" a Padova)

Jean-Carl Maugin - Walter Maigne, Nouveau manuel complet du luthier, Paris 1894, p.184

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