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Patrizio Barbieri, Cembalaro, organaro, chitarraro e frabbricatore di corde armonichenella "Polyanthea technica" di Pinaroli (1718-32), in "Recercare", I (1989), pp.123-205

Daniel Larson, The Inside Story of Gut Strings, in "British Violin Makers' Association Newsletter", XI (1998), pp.9-17

Mimmo Peruffo, The Mystery of Gut Bass Strings in the Sixteenth and Seventeenth Centuries: the Role of Loaded-weightened Gut, in "Recercare", V (1993), pp.115-151

George Stoppani, Gut, in "Early Music Today", VII/3 (1999), pp.6-7

Oliver Webber, Real Gut Strings: Some New Experiments in Historical Stringing, in "The Consort", LV (Summer 1999), pp.3-29

Mimmo Peruffo, Le corde per chitarra tra il Settecento e l'avvento del nylon. Tipologie, tecniche manifatturiere e criteri di scelta, in "Il Fronimo", CXVII (Gennaio 2002), CXVIII (Aprile 2002), CXIX (Luglio 2002), CXX (Ottobre 2002)

Patrizio Barbieri, Roman and Neapolitan Gut Strings. 1550-1950, in "The Galpin Society Journal", LIX (2006), pp.147-181

Patrizio Barbieri,  The Roman Gut String-makers 1550-1950, in "Studi musicali", XXXV-1 (2006), pp.3-127

Renato Meucci, Strumentaio, Venezia 2008

Oliver Webber, Rethinking Gut Strings: a Guide for Players of Baroque Instruments, King's Music 2006

Daniela Gaidano, Splendore e decadenza dell'arte cordaia in Italia, ed.Lulu 2011

Kai Köpp-Jane Achtman-Johannes Gebauer, Saitenherstellung in Markneukirchen und im Vogtland, Meisterleistungen deutscher Instrumentenbaukunst, Band 8, Bern 2019

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